Scene to art poster

Read one photograph, choose a source-responsive medium and poster system, then recompose it as a restrained 3:4 art poster.

Create one independent vertical 3:4 art poster from exactly one supplied photograph. Do not make a collage, contact sheet, mockup, or multi-image series.

Scene and art direction: {{brief}}
Primary medium override: {{mode}}
Poster system override: {{layout}}
Title override: {{title}}
Supporting copy override: {{microcopy}}
Source photograph: {{reference_image}}

First read the source as a scene map: identify the identity anchor, dominant silhouette, spatial layers, perspective or movement line, visual energy, source-specific color relationships, and the small detail that carries the scene's meaning. Keep recognition-critical facts and remove disposable clutter.

Choose exactly one primary medium from transparent watercolor, pop screenprint, expressive painting, ink wash, relief print, or editorial surrealism. If no medium override is supplied, choose from the source's subject, atmosphere, geometry, and material potential. At most one quiet supporting process may appear, and it must remain subordinate to the main medium.

Choose exactly one poster system from monumental crop, asymmetric field, diagonal momentum, fragment and echo, split tension, vertical procession, type-image interlock, or editorial window. If no layout override is supplied, choose the system that best responds to the source geometry and make the focal area, open area, and reading path obvious.

Recompose the photograph into a designed poster instead of copying every pixel. Preserve the identity anchor, spatial logic, dominant silhouette, and core story, while changing at least two of shape, color, material, scale, space, repetition, or meaning so the result is a genuine interpretation. Use selective rendering, lost edges, open substrate, and intentional negative space; do not fill the whole canvas with equal detail.

Derive a compact three-to-six color palette from the supplied photograph. Preserve its light, time, and temperature, then reorganize neighboring hues and value contrast for the selected medium. Let paper, pigment, ink, or print grain appear where it helps the material read; do not paste a uniform texture over the entire image or use a fixed blue-orange, neon, sepia, or muddy preset.

Add one concise uppercase English title of one to three words. Add supporting copy only when there is safe space, and never more than three small groups. Preserve user overrides exactly, keep generated copy non-factual and short, and place all type as part of the composition without covering the identity anchor. Do not add logos, signatures, watermarks, frames, UI, or invented metadata. Return one sharp finished 3:4 poster only.

No collage, contact sheet, series, mockup, generic style filter, unchanged centered photo, equal full-canvas detail, unrelated decorative objects, fixed palette, muddy or neon treatment, invented people, invented factual metadata, extra logos, signature, watermark, border, frame, UI, 3D render, glossy stock-vector finish, spelling errors, accidental extra words, or type covering the source identity anchor.